Description
PHAUNE RADIO is a little bug as curious and wild as the strange sounds it airs 24h/7 on the world wild web and on on your mobile phones.
Soundscapes from the wider world, bold, tousled or horizontal music, encounters with animals, science & soundjacking, original foundtracks, augmented radio, eartoys, home-made creations...
THE PLAN: to transform radio into an experience of wild and edgeless listening.
Station owner
FREQ-OUT
Year of establishment
2013
Address
Boulevard de Charonne
Postal / zip code
75011
City
Paris
History
24 hours a day, Phaune Radio invites you to explore animality and its worlds of sounds, to travel ever closer to wild and imaginary biotopes: Oblique music, horizontal sounds, sequined and feathered mixes, science & soundjacking, original foundtracks, tiny tunes, augmented radio, emerging species & voices, eartoys, time stretching…
Here is a cabinet of sound curiosities, ever moving, to discover the vitality of international radio creation, to dive into and indulge in natural and supernatural sounds. Make way for nature’s cheeky creativity, magnified by the phauna hook that turns every hour, every minute, every second into a given instinct, received and shared – in a burst of laugh, from deep within our guts.
As a natural extension of the 7 Nuits de la Phaune, imagined from 2008 in Marseilles by Floriane Pochon and Amélie Agut with Tony Regnauld, Phaune Radio was born in September 2013, headed by the non-profit organization Freq-Out.
On a daily basis, Floriane Pochon and Stéphane Jourdan take care of the hairy creature with Clément Baudet, Laurie Guétat, Caroline Polle.
Phaune Radio also feeds on precious sounds & skills from its worldwide mates: Alain Damasio, Félix Blume, Christophe Rault, Etienne Noiseau, Jean Poinsignon, Cheryl Tipp, Marc Namblard, Rodolphe Alexis, Nicolas Perret, Cédric Anglaret, Connor Walsh, Sarah Boothroyd, Yannick Dauby, Peter Cusack, the Fair_Play Network and many others…
With its modest ecosystem, Phaune Radio embodies our ideal radio: collective and connected, ever-moving, in line with uses and needs for an active listening. Because in this “oddigital” era, playing with all the potential of these tools is to assert again the chance to sound real values: freedom, sharing, imagination and beyond, a form of vitality that is nothing without its the power to change things.