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These stories form the first volume of the renowned Tales of Hoffman. They are fantasies with hints of the supernatural—quintessential Romanticism. Writers of the Romantic period typically seek to lift the spirit to awe, wonder, love, horror, or other extremes of emotion. Hoffmann is drawn to such experiences, particularly as they relate to the creative process. Although he occasionally arouses them in the reader, he more often examines them critically or, in the case of hysterical excesses, especially infatuation, satirizes them. - Summary by T. A. Copeland
Bölümler
Sonraki bölüm kendiliğinden başlar. Kaldığın yeri bu tarayıcı hatırlar.
- 1The Cremona Violin, Part 143:22 · okuyan: Thomas A. Copeland
- 2The Cremona Violin, Part 221:01 · okuyan: Thomas A. Copeland
- 3The Fermata53:46 · okuyan: Thomas A. Copeland
- 4Signor Formica, Part 132:53 · okuyan: Thomas A. Copeland
- 5Signor Formica, Part 246:37 · okuyan: Thomas A. Copeland
- 6Signor Formica, Part 333:08 · okuyan: Thomas A. Copeland
- 7Signor Formica, Part 434:28 · okuyan: Thomas A. Copeland
- 8Signor Formica, Part 539:39 · okuyan: Thomas A. Copeland
- 9Signor Formica, Part 632:49 · okuyan: Thomas A. Copeland
- 10The Sand-man, Part 151:36 · okuyan: Thomas A. Copeland
- 11The Sand-man, Part 245:04 · okuyan: Thomas A. Copeland
- 12The Entail, Part 159:17 · okuyan: Thomas A. Copeland
- 13The Entail, Part 250:54 · okuyan: Thomas A. Copeland
- 14The Entail, Part 349:02 · okuyan: Thomas A. Copeland
- 15The Entail, Part 451:33 · okuyan: Thomas A. Copeland
- 16Arthur's Hall, Part 139:14 · okuyan: Thomas A. Copeland
- 17Arthur's Hall, Part 238:08 · okuyan: Thomas A. Copeland
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